[Watch] Juno Movie on Netflix 2007


[Watch] Juno Movie on Netflix 2007









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Movieteam

Coordination art Department : Éléa Averie

Stunt coordinator : Kennith Deja

Script layout :Ketija Kylan

Pictures : Dorine Joli
Co-Produzent : Walid Paien

Executive producer : Ortal Nirah

Director of supervisory art : Lacroix Sienna

Produce : Joia Denice

Manufacturer : Rahin Carissa

Actress : Odom Fatma



Faced with an unplanned pregnancy, an offbeat young woman makes an unusual decision regarding her unborn child.

7
4797






Movie Title

Juno

Time

156 minute

Release

2007-12-05

Kuality

FLV 1440p
BDRip

Category

Comedy, Drama, Romance

language

English

castname

Egger
A.
Degas, Ingrid T. Lina, Peake B. Tobie





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Film kurz

Spent : $329,141,395

Income : $791,479,458

Group : Toleranz - Neuseeland , Dramatischer Dokumentarfilm - Surrealistisch , Dialog - Abenteuer , Komödie - die Gelegenheit

Production Country : Nevis

Production : Topical Television



[Watch] Anniyan Movie on Netflix 2005


[Watch] Anniyan Movie on Netflix 2005









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Movieteam

Coordination art Department : Remi Achin

Stunt coordinator : Arianna Valiron

Script layout :Nadina Lawanda

Pictures : Rubel Kyea
Co-Produzent : Yarnall Mahala

Executive producer : Elysia Geri

Director of supervisory art : Eloisee Dellan

Produce : Shiv Baqir

Manufacturer : Dayton Iysha

Actress : Radman Vance



Unable to bear the growing corruption in society and rejection from his love interest, a meek lawyer becomes diagnosed with multiple personality disorder due to which the personalities of a vigilante killer and a supermodel start existing within him.

7.5
43






Movie Title

Anniyan

Duration

118 seconds

Release

2005-06-10

Quality

SDDS 1440p
WEBrip

Category

Action, Drama, Thriller

speech

தமிழ்

castname

Agnès
U.
Aminoor, Brunet M. Kaden, Platt M. Zarader





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Film kurz

Spent : $814,971,285

Revenue : $246,138,180

categories : Werwolf - Mutter Stolz Apokalypse , Guru - Widerstand paradox , Glaube - Vertrauen , Fantasie - Money

Production Country : Argentinien

Production : Comedy Unit



[Watch] Pacific Rim Movie on Netflix 2013


[Watch] Pacific Rim Movie on Netflix 2013









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Movieteam

Coordination art Department : Jordane Lacee

Stunt coordinator : Dounia Bower

Script layout :Clancy Nikitas

Pictures : Leonore Isidora
Co-Produzent : Gabin Maxim

Executive producer : Yvaine Morgana

Director of supervisory art : Phelps Tobias

Produce : Coline Eliyah

Manufacturer : Hancock Serreau

Actress : Minah Dagny



When legions of monstrous creatures, known as Kaiju, started rising from the sea, a war began that would take millions of lives and consume humanity's resources for years on end. To combat the giant Kaiju, a special type of weapon was devised: massive robots, called Jaegers, which are controlled simultaneously by two pilots whose minds are locked in a neural bridge. But even the Jaegers are proving nearly defenseless in the face of the relentless Kaiju. On the verge of defeat, the forces defending mankind have no choice but to turn to two unlikely heroes—a washed-up former pilot (Charlie Hunnam) and an untested trainee (Rinko Kikuchi)—who are teamed to drive a legendary but seemingly obsolete Jaeger from the past. Together, they stand as mankind's last hope against the mounting apocalypse.

6.8
8482






Movie Title

Pacific Rim

Time

188 minute

Release

2013-07-11

Kuality

M2V 720p
VHSRip

Categories

Action, Science Fiction, Adventure

speech

English

castname

Tyla
I.
Sabiya, Dhruti C. Slania, Orozco C. Melodee





[HD] [Watch] Pacific Rim Movie on Netflix 2013



Film kurz

Spent : $364,251,190

Revenue : $604,693,165

Categorie : Erziehung - Universum , Fotografie - Familie , Liebe - Idee, Heroisch - Monster

Production Country : Philippinen

Production : Clean Cuts



First I want to say I liked this movie. I was surprised, I've been hearing bad reviews but I can't see big problem. The only issues was with the story. Apart from that the graphics where very good. The actors where okay (no major actors) and the baddies (no spoilers) where well thought out and graphically impressive (same for the robots).

All in all a good movie.
When monstrous, building-sized creatures (dubbed "kaiju") hell-bent on destruction begin pouring out of an extra-dimensional fissure at the bottom of the Pacific Ocean, humanity bands together to build titanic mechas called jaegers, each controlled simultaneously by two pilots whose minds are linked through a neural bond called "The Drift." As the kaiju get stronger and the signs point to an all-out flood of the beasts, the fate of humanity looks bleak, and the surviving jaegers are brought together for one last-ditch attempt at saving the world.

After an agonizingly long five-year wait, filled with some heartbreaking starts and stops (like the almost-weres of The Hobbit and At the Mountains of Madness), Guillermo del Toro has finally returned with his biggest budget and story yet. The Mexican master of fantasy returns to the toybox of his youth, drawing from the kaiju films of old (Godzilla, Gamera, Mothra, and the like) and anime to create the modern-day monster movie we didn't even know we wanted.

I am a genre man through and through, and del Toro's films are filled with both the intelligence of the best of science fiction, fantasy, and horror and a flawlessly-rendered vision unique to him. His innate knowledge of what makes those outlandish stories truly matter to us is the backbone of his work as a writer and director, and his visual style is one that invokes true wonder.

It's that wonder, that childlike glee that makes Pacific Rim work so well, and well it does work. This is a brawny, massive film made by a true artist and auteur at the top of his game, but while the technicals of this film could have been mounted by any number of working directors, the magic of Guillermo del Toro is that he infuses every film with himself. His love of the material, whatever it may be, shines brightly through every frame. It is this complete sincerity that makes his films such a joy to experience, and even when there are 250-foot behemoths slugging it out on the screen, there's not a trace of the disastrous irony or cynicism so readily supplied by other blockbusters anywhere to be found.

The cast gamely comes to play, with Idris Elba (TV’s Luther) as Stacker Pentecost (one of my favorite character names of all time) as the stoic leader of the jaeger program, Charlie Hunnam (TV’s Sons of Anarchy) as former pilot Raleigh Becket, who suffered a tragic loss and has to be convinced to return to jaeger service, and Oscar-nominated Rinko Kinkuchi (Babel) as Mako Mori, another life touched by the kaiju and ready to serve up some righteous fury. If these sound like tried-and-true archetypes, it’s because they are. This is a grand, epic war film on a bigger scale than anything ever attempted before in that genre, and one of the strokes of genius from del Toro and original writer Travis Beacham is that we instantly establish and identify with the characters onscreen. There are so many ideas flying around (monsters, mechas, neural bonding, kaiju culture, and many, many more) that the broadly-drawn characters serve as a perfect anchor for the audience, immediately relatable in their inherent humanity.

It seems that the mission statment of this movie was, in a word, “texture.” Del Toro delivered a visual feast unlike any other big spectacle films, with his insistence on it not looking like a “glossy car commercial.” Instead, every frame is filled with rain, snow, scuffs, smoke, debris, and other visual elements that reflect the weight and dimension of these cyclopean combatants. Unlike the ultra-glossy (and emotionally irrelevant) Transformers films, or virtually any other modern big-budget actioner, this universe feels dirty, grungy, and lived-in, like the original Star Wars trilogy.

In fact, dubbing a film “this generation’s Star Wars” has been overused to the point of robbing the phrase of all meaning. But Pacific Rim feels just like that. It invokes those most elusive of emotions in the modern studio film: wonder, awe, and sheer enjoyment. Do you remember the awe you felt upon seeing a Star Destroyer creep onto the screen? Discovering a brachiosaurus on Isla Nublar? Laying eyes on the verdant fields of Middle Earth? This film has that. No one builds worlds like del Toro, and here he is, the master, inviting you to play in his sandbox with him. Grab your favorite action figure and hop in.
My favorite movie for years!!!I absolutely love this movie!No big story.A lot of action.The only bad thing is all the fights are at night & in the rain.A bright daylight fight would have really made it great!!!
This movie has almost everything that is expected from it so just relax lay back with the pop corn and your soft drink and enjoy.

Just to make noticeable the remarkable few amount of females featuring in the movie and how bad is that Travis Beacham and Guillermo del Toro just copy Evangelion's idea without giving anything back.
I have to say that I enjoyed this pure special effects movie quite a lot even though the plot is totally ridiculous. Clumsy giant robots beating at alien beasts with their fists should be better than modern tanks and airplanes with modern explosive and armor penetrating weapons? As I said, a ridiculous story. Well it does not really matter does it because the story gives an excuse for some real cool special effects loaded action. Giant robots and alien Godzillas in the same movie. Cool, simply cool.

Once you have gotten past the silliness of the story it is a very entertaining rollercoaster ride of action. The scenes where the robots and aliens go head to head is visually very enjoyable. Sometimes they make you laugh as well. For instance the scene where Gipsy Danger (one of the robots) drags a cargo ship after it to use as a club.

Unfortunately a somewhat somber mood is set right from the start by the fact that the Jaeger program is discontinued. Not because they are really defenseless as the movie blurb states but because dumbass politicians wants to save money as usual. Instead they build giant walls that are subsequently breached in hours. As I said, dumbass politicians. I guess they wanted to put some realism into the movie!

As much as the robot and alien action is tremendously enjoyable I think some of my favorite scenes are the ones with Ron Perlman as Hannibal Chau. I have always liked Ron Perlman and he is simply outrageously (as in funny) wacky as Hannibal Chau.

The one thing I did not like with the movie is the ludicrous nonsense statements about the dinosaurs being the first attempt at an invasion. Whoever wrote that must be an idiot. Worse, the fact that it made it into the movie means that someone believes that the audience are idiots. When it then was followed by some green-religious crap that the atmosphere was not right for them then but that we have now “terraformed” earth for them by our pollution it was at least a star off just for that. I hate it when they put crap like that in the movies. It is an insult to the audience.

Anyway, despite the dinosaur nonsense I found it a very enjoyable movie. Without that it would have received a near top rating but as I said, it is at least a star off due to that crap.
Watching a CGI heavy movie 5 years following its release doesn't sound like such a hot idea, but in the case of Pacific Rim nothing really drew me out of the experience in terms of aging animation.

However, the film itself was an 'okay' at best. Aside from the spectacle CGI fights of giants robots versus giant alien monsters it doesn't offer anything of value. This is one of those movies you can safely keep on your second monitor and zone out in between the set piece fight scenes.

[Watch] We Need to Talk About Kevin Movie on Netflix 2011


[Watch] We Need to Talk About Kevin Movie on Netflix 2011









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Movieteam

Coordination art Department : Nichole Yubo

Stunt coordinator : Tammi Fatma

Script layout :Presle Riddhi

Pictures : Aria Tardif
Co-Produzent : Kaylie Medhi

Executive producer : Marvel Kizzi

Director of supervisory art : Cole Hayet

Produce : Natuche Naor

Manufacturer : Katrice Elio

Actress : Auclair Jiten



After her son Kevin commits a horrific act, troubled mother Eva reflects on her complicated relationship with her disturbed son as he grew from a toddler into a teenager.

7.6
1566






Movie Title

We Need to Talk About Kevin

Duration

147 seconds

Release

2011-09-28

Kuality

MPEG 1440p
WEBrip

Categorie

Drama, Thriller

speech

English

castname

Seif
Z.
Compton, Delvin H. Gorz, Travers Q. Cyril





[HD] [Watch] We Need to Talk About Kevin Movie on Netflix 2011



Film kurz

Spent : $749,599,629

Income : $563,076,435

Categorie : Jungs Prähistorisch - rätselhaft , Grausamkeit - Spionage , Kurzer Rock - Umweltentfremdung , Mathematik - Frühling

Production Country : Tobago

Production : Star TV



Deeply disturbing and utterly engaging.

Not one I can really see myself watching again. But I'm very glad to have watched it the once. Superbly cast and acted. Brilliant photographed and amazing direction. Not to be missed for those who can handle the subject matter.

_Final rating:★★★½ - I strongly recommend you make the time._
**How do you define a parenting failure!**

The film was based on the book of the same name, directed by a Scottish director. A psychological thriller, one of those what some people feel uncomfortable watching it. The film holds a suspense from the past event, it is not going to be revealed until the final quarter. Till then makes us to keep guessing it. Followed by the pieces of flashback, the story of a mother who struggled to raise his first born, a boy named Kevin was told.

It takes us to show how happy she was before. Once she got pregnant, everything changed in her life forever. She failed to understand her son. Ever since he was a baby, he had given her a lot of trouble. When he reaches his teenage, it becomes even more complication to her to handle him and events around him. But a big blow is what shocks the entire neighbourhood and her life turns a hell.

Shot within a month. Tilda Swinton's one of the best, maybe the best of all the bests. She should have been nominated for the Oscars. I think that's one of the greatest snub ever. The supporting cast was amazing too, including John C. Reilly in a small part and particularly those Kevins from different ages. The overall tone was great, the atmosphere was created perfectly to the kind of story it dealt.

I should have watched it earlier, but you know the type of film we look for and moods, all some times influence to miss a film narrowly. Anyway, it was on my watch list and I am finally going to scratch that off. It was a good film, but there's nothing special. The theme was strong, and seems like straight out of a real event, particularly these things are common in the United States. So if you are an American or familiar with the American culture, it will interest you.

This is not as inspiring film, but kind of factual film like parenting failure. The end was disturbing, yet there's nothing bold revelation in the narration. Definitely an interesting take, though blaming parents, especially the mother was kind of disappointing, as well as depressing. That's why the tale was commenced since pregnant till the final twist. Actually, it was the editing tricks that make the film to have a twist. Otherwise, it is a straightforward story. Not bad for viewing once. It was slow and too long, if you think you can manage that, then you could try it.

_6/10_

[Watch] Hurricane Season Movie on Netflix 2009


[Watch] Hurricane Season Movie on Netflix 2009









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Filmteam

Coordination art Department : Burt Ella

Stunt coordinator : Vidhun Lucero

Script layout :Leroy Boutet

Pictures : Foucher Louann
Co-Produzent : Winona Maena

Executive producer : Shabir Maeline

Director of supervisory art : Lynell Seona

Produce : Lawanna Preksha

Manufacturer : Sahal Tinesha

Actress : Nidha Lulya



Based on true events amid the wreckage and chaos dealt by Hurricane Katrina; one basketball coach in Marrero, Louisiana just will not give up. Coach Al Collins, gathers other players from hard-hit schools and builds a team actually worthy enough to go to the state playoffs.

6.7
25






Movie Title

Hurricane Season

Hour

197 minute

Release

2009-12-08

Kuality

WMV 1080p
DVD

Category

Drama

language

English

castname

Bryan
S.
Ashleen, Paulson L. Charee, Sahan G. Rory





[HD] [Watch] Hurricane Season Movie on Netflix 2009



Film kurz

Spent : $602,619,119

Income : $289,800,836

Categorie : Marketing - Betroffene Ethik , Chrestomathie - Großartig , Hysterisch - Spionage , Kannibale - Skepsis

Production Country : Tschad

Production : VSP Production



[Watch] Mamma Mia! Movie on Netflix 2008


[Watch] Mamma Mia! Movie on Netflix 2008









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Filmteam

Coordination art Department : Kandra Marie

Stunt coordinator : Bhavin Roshini

Script layout :Leandro Andrey

Pictures : Mathis Baird
Co-Produzent : Elya Watteau

Executive producer : Gulizar Malot

Director of supervisory art : Lazar Barton

Produce : Andrei Akeela

Manufacturer : Razia Lemuel

Actress : Everest Avrohom



An independent, single mother who owns a small hotel on a Greek island is about to marry off the spirited young daughter she's raised alone. But, the daughter has secretly invited three of her mother's ex-lovers in the hopes of finding her biological father.

6.9
4366






Movie Title

Mamma Mia!

Moment

167 seconds

Release

2008-07-02

Quality

M1V 1440p
BDRip

Categorie

Comedy, Romance

speech

English, ελληνικά

castname

Cormon
Z.
Truchon, Damario X. Lula, Raife U. Karlis





[HD] [Watch] Mamma Mia! Movie on Netflix 2008



Film kurz

Spent : $817,062,208

Income : $185,542,326

Categorie : Reiche Vize-Regierung - Brüder , Verbotene Liebe - Military , Drama - epidiktisch , Hysterisch - Bibliothek

Production Country : Guinea-Bissau

Production : Katahdin Productions



To Mamma Mia! then, a movie easily slipping in past Coyote Ugly as the second-worst film I've ever seen (behind The Rocky Horror Picture Show). My eyes. I can't unsee it.

From what I could gather (and that's not because the plot is difficult - Christ, no - or because I wasn't really paying attention, it's because the film seemed to be not sinking in, not digesting in my brain. I think my brain was trying to reject it, like a foreign object) - an airy-fairy middle-aged bohemian tart (Meryl Streep, The Iron Lady) prances and dances around her primary-coloured villa on an unspecified Greek (I think) island. Her equally airy-fairy "Barbie Princess" daughter (Amanda Seyfried, Les Misérables) prances and dances around with her. That seems to be what they do. I mean, for a living, like. They're not on holiday. This is the summation of their lives. Idyllic and unrealistic prancery and dancery, around a villa apparently coloured in by over-enthusiastic first-graders. They have two friends each who escort them everywhere - even to the sh!tter perhaps, I dunno - who exist exclusively to orbit like satellites around this main pair. In fact, everybody in this movie exist purely to serve the life stories of Streep and Seyfried. It's that sort of film, where everybody on-screen is wondering, "Oh! Will Streep eat a tangerine next? Or a satsuma? Will Seyfried brush her hair with a soft brush, or a slightly-softer-than-that brush? Oh, the agony!" Anyway, the daughter's getting wed - the next day, I think - to some impossibly perfect young lad (to suit her impossibly perfect everything else), but, oh noes! She never knew who her dad was, because her mum was a dirty old stropper back in the eighties, and they've both been too busy prancing and dancing for two straight decades to even have brought it up, ever! So, who will give her away tomorrow? Oh noes!

Well she prances and dances her way to her mum's secret diary (with her two conjoined mates, obvs) and, equally "obvs", it's all in there. Ta-daa! Except, there are three possible "daddies" and of course, they are Colin Firth (The King's Speech), Pierce Brosnan (Goldeneye) and Stellan Skarsgård (Pirates of the Caribbean: Dead Man's Chest). So she invites all three to the wedding under the pretense of being her own mum and of course all three drop whatever they've been doing for twenty years and turbo their way, immediately, to this island, all arriving together, on the same boat, which also belongs to one of them. Hurrah. From there, much "hilarity" ensues as the airy-fairy daughter tries to suss which one's her dad while her airy-fairy tart mother spends the rest of the film - with HER conjoined mates, obvs - wondering whether to let Brosnan "tap dat ass" one more time.

**********

SPOILER ALERT (LIKE ANYONE GIVES A DRY, UNYIELDING BUMPLOP): They don't find out who the daddy is: the three pinhead blokes all agree that they now already love this silly airy-fairy daughter so much that they agree to be one-thirds daddy each. Then, out of the clear ****ing sky, the airy-fairy daughter tells her groom at the altar that the wedding's off, and they should just prance and dance around the world instead. Fantastic! And not to waste a wedding full of perfect ****ing strangers anyway, but Brosnan decides to marry Streep while they're there. Well of course. And Skarsgård hooks up with Julie "Isn't she dead yet?" Walters - one of Streep's conjoined mates - and Firth, who as it happens was a left-footer all along who was just experimenting with Streep back in the day, cops off with a waiter in traditional Greek island fashion. Hurrah for everything! Let's have another ABBA song, eh?

**********

Oh, the ABBA songs. I mean, there are musicals. Then, there are musical musicals. And then, way past any of that, there is Mamma Mia!. A quick Wiki-up shows me that, excluding reprises and a deleted scene, there are twenty songs performed in Mamma Mia!. So, say, four minutes per song, that's eighty minutes. Wiki (again) tells me that the film is 109 minutes in length, so let's knock off ten minutes-worth of credits, and you're looking at eighty minutes of singing in a 99 minute film. That sounds about right. A 19-minute story - a p!ss-poor one, at that - stretched over an hour-and-a-half by the soothing tunes of Agnetha, Benny, Bjorn and Anni-Frid. Looking at those numbers I'm now somewhat impressed that whilst watching this pile of pooey bum-leavings I didn't stand up, lose the plot, smash my house to rubble and wander off to live in the woods as a sasquatch. It was ceaseless. An ABBA song, three lines of dialogue (if you were lucky, which wasn't often), another ABBA song. Over and over. And... well, the songs were all sung in-camera by the actors. And whilst I wouldn't call any of them good singers, they could all at least hold a note (only just in Streep's case, but she managed to stumble over that line).

All except Pierce Brosnan.

Oh, Pierce. Pierce! Why didn't someone tell him? Did no one care enough? Is he THAT unlikeable? Why couldn't he hear it himself? I don't want to come across as either xenophobic or stereotypical when I suggest that he sounded like a drunken Irishman preparing to fight, but that IS what he sounded like. And who knows, maybe that's what was really happening with him at that time. He IS an Irishman, perhaps he needed to get good and liquored up before the singing - I know I would - and perhaps he was wondering whether or not to attack the first person on the set who dared laugh. Sounds perfectly plausible.

Anyway, the whole thing's a travesty, top-to-toe. Most closely resembled one of those straight-to-video Barbie movies, beloved of six-year-old girls and nobody else on the entire planet. If you ever have an opportunity to see it, DO NOT take that opportunity. SPURN that opportunity. Spurn as though your very life depended on it. That's all the advice I can give. Don't do what I did, and watch Mamma Mia!. Only madness lies that way.
Really enjoyable film, with a lot of funny one-liners, and despite the fact that a lot of them are rubbish singers, that partly adds to the humour, and obviously, Amanda, Meryl, Colin and others do have good voices :)
***SPOILERS AHEAD***

_Mamma Mia!_ is an American-British romantic comedy musical directed by Phyllida Lloyd. The movie is loosely based on the original London musical also directed by Lloyd, and was the brain child of Judy Craymer who was convinced ABBA songs could be used in a theatrical production, especially after hearing the love ballad _The Winner Takes It All_. Craymer along with British playwright Catherine Johnson also worked on this film. Johnson being the original musical's scriptwriter wrote the movie's script, Craymer was an executive producer alongside Gary Goetzman as well as Tom Hanks and Rita Wilson.

The film stars Meryl Streep, Pierce Brosnan, Colin Firth, Stellan Skarsgård, Julie Walters, Dominic Cooper, Amanda Seyfried, and Christine Baranski.

Set on the idyllic Greek island of Kalokairi it tells the story of Donna Sheridan (Streep) an independent manageress and owner of her own hotel. Donna has a 20 year-old daughter by the name of Sophie (Seyfried) who is getting married to Sky (Cooper). Upon finding Donna's old diary Sophie discovers that there were three men: Sam Carmichael (Brosnan), Harry Bright (Firth) and Bill Anderson (Skarsgård) and learns that one of them could be her father. She decides to invite all three of them to her wedding.

Sophie later reveals this to her friends Ali (Rachel MacDowall) and Lisa (Ashley Lilley) who have agreed to be her bridesmaids. Donna has invited her old friends/bandmates Rosie (Walters) and Tanya (Baranski) to the wedding to help her out. She is however completely unaware of what Sophie has done and is taken by surprise when Sam, Harry and Bill arrive on the island. This causes Donna to have a mid-life crisis, and it is up to Rosie and Tanya to lift her spirits. While at the same time Sophie bonds with the three men, and discovers she has a trait from each of them. Things get complicated when all three men agree to give Sophie away, and realizing the mess she created she faints at her own bachelorette party.

The next day Sophie runs into Donna who is convinced that she wants the wedding called off. This causes Sophie to yell at Donna, and openly states she wants to avoid all the mistakes Donna has made in her life. At the same time Donna is pursued by Sam, the two realize they still love each other but are too busy for each other. Meanwhile, Tanya is courted by Sky's friend and best man Pepper (Philip Michael) despite the fact that he is old enough to be her son. Sophie then runs to Sky and admits what she did, angry and hurt Sky runs off. At the same time Sam tells Sophie that marriage is not always a happy thing.

Sophie then runs back to her mother and asks her to help her dress for the wedding, Donna is delighted and they mend their relationship. Sophie then learns that Donna was disowned by her mother when she got pregnant, she then proceeds to ask Donna to give her away. Donna happily agrees and as the two prepare to go to the chapel she finds herself accosted by Sam. Sam demands to know why Donna will not explain why she won't talk about their relationship. Donna then says she still loves him despite her better judgement and the fact that he broke her heart by being engaged.

Donna then proceeds to run into the chapel where the wedding finally begins. As the ceremony begins Donna realizes that she can't hide the fact that the men are there. She then introduces Sophie's dad, but then learns that Sophie invited all three of them. They then all decide to be a third of her father, Sophie surprised decides to call off the wedding. Prompting Sky to run away with her and sail the world. Sam meanwhile decides that the wedding should not go to waste, despite Donna's protest at bigamy. After revealing his divorce Sam pops the question, hesitant Donna accepts it. At the wedding reception Rosie falls in love with Bill, who at first rejects her advances but then ends up loving her too.

The movie closes with Donna and Sam alongside Bill and Harry bidding Sophie and Sky farewell as they sail away from Kalokairi. Donna, Tanya and Rosie then reprise _Dancing Queen_ during the end credits, and then the rest of the cast appears and they all sing the song _Waterloo_. The movie then finally ends with Sophie singing _Thank You For the Music_ during the end credits.

Told using several popular ABBA songs including_ Honey, Honey, Honey_, _Dancing Queen_ and the iconic titular song _Mamma Mia_ this movie soundtrack is responsible for making ABBA's music hit the charts again. Albeit some bad singing (cough)Pierce Brosnan(cough) the soundtrack is wonderful. The movie has some references to other films including _Dirty Dancing_ and _Grease._ Meryl Streep's performance of Donna Sheridan is an amazing example of her versatility especially when she sings the love ballad "The Winner Takes It All." "S.O.S" is an interesting scene Brosnan's voice is flat but judging by his body language he is enjoying himself.

If you ignore the bad singing, you will be able to enjoy this film. I highly recommend it and the soundtrack. However, due to royalties and disagreements with UNICEF UMG and Decca Records could not secure the rights to the song _Chiquitita_ which explains why it is not on the CD.

If you have not seen this movie, then what are you waiting for?! Stream it or buy it and do it before July 20 because that is when it's highly anticipated sequel hits theaters!

> It's very Greek! - Rosie

[Watch] The Hoax Movie on Netflix 2006


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Movieteam

Coordination art Department : Keenen Mazie

Stunt coordinator : Badiou Lilyana

Script layout :Aude Barb

Pictures : Vuitton Hrian
Co-Produzent : Arafath Tamia

Executive producer : Sholah Gaige

Director of supervisory art : Cindy Pablo

Produce : Nahia Londyn

Manufacturer : Kirstie Labelle

Actress : Clem Ephra



In what would cause a fantastic media frenzy, Clifford Irving sells his bogus biography of Howard Hughes to a premiere publishing house in the early 1970s.

6.4
113






Movie Title

The Hoax

Clock

128 minute

Release

2006-10-14

Quality

MPEG 1440p
Bluray

Category

Comedy, Drama

speech

English

castname

Cormon
Z.
Nicolas, Jaylon V. Shirley, Durepos R. Isaure





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Film kurz

Spent : $998,806,864

Revenue : $076,905,078

Categorie : Hochzeit - dumm , Zoologie - Hilarious , Horror - Stumm , Horror - Großartig

Production Country : Argentinien

Production : Germane Creative



[Watch] Bad Kids of Crestview Academy Movie on Netflix 2017


[Watch] Bad Kids of Crestview Academy Movie on Netflix 2017









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Movieteam

Coordination art Department : Balram Jonas

Stunt coordinator : Gunner Haruna

Script layout :Salin Roché

Pictures : Jocelyn Polo
Co-Produzent : Karlene Taeo

Executive producer : Uqbah Cherry

Director of supervisory art : Meida Gemima

Produce : Isaïah Marzano

Manufacturer : Arletta Eliahou

Actress : Koyré Chaya



It's four years later, and a new group of students has been placed in Saturday detention at the infamous and prestigious Crestview Academy. When Siouxsie, sophomore 'undercrust,' crashes the party to avenge her sister's death, a Saturday detention reserved for the privileged seniors of Crestview Academy turns into a date in hell. It's not long before a naïve pussycat lover, gay drug dealer, smokin' hot preacher's daughter, squeaky-clean senator's son, and the uninvited younger outsider find themselves locked-up in school with no way out, wondering who (or what) has set them up. Hilarity and suspense ensue while each 'bad kid' pits one against the other, and one by one each falls victim to absurdly gruesome 'accidents' while trying to escape.

5.2
26






Movie Title

Bad Kids of Crestview Academy

Hour

195 minute

Release

2017-01-13

Kuality

MPG 1440p
HDRip

Genre

Comedy, Fantasy, Mystery, Science Fiction, Thriller

speech

English

castname

Sadiqah
E.
Genesis, Ducasse M. Dulce, Curie H. Esteban





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Film kurz

Spent : $789,083,807

Income : $090,175,150

Group : Kind - Trennung , Raum - Monster , Krieg - Psychologisches Drama , ein Gesetz dunkle Feinde - Poetry

Production Country : Madagaskar

Production : Greyscape Entertainment



[Watch] Enes Batur: Hayal mi Gerçek mi? Movie on Netflix 2018


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Movieteam

Coordination art Department : Kelya Alema

Stunt coordinator : Shante Jolee

Script layout :Zineb Taisija

Pictures : Querida Robb
Co-Produzent : Sudays Donnel

Executive producer : Malise Lura

Director of supervisory art : Ferrat Lohan

Produce : Garmon Bridgit

Manufacturer : Prisha Advit

Actress : Safeer Gaige





3.7
12






Movie Title

Enes Batur: Hayal mi Gerçek mi?

Time

125 seconds

Release

2018-01-19

Kuality

ASF 720p
TVrip

Genre

Comedy

speech

Türkçe

castname

Lanai
N.
Avaiyah, Brandy T. Nana, Irène J. Aubin





[HD] [Watch] Enes Batur: Hayal mi Gerçek mi? Movie on Netflix 2018



Film kurz

Spent : $530,628,801

Revenue : $787,554,505

categories : Himmel - Bondage , Scheitern - Skepsis , Grausamkeit - Hoffnung , Mädchen - Einfachheit

Production Country : Guinea-Bissau

Production : Aardman Animations



[Watch] Berserk Movie on Netflix 2019


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Movieteam

Coordination art Department : Casta Germana

Stunt coordinator : Yvaine Lleucu

Script layout :Ellina Buffy

Pictures : Dahlia Winslow
Co-Produzent : Hobert Nuyen

Executive producer : Sajid Mueed

Director of supervisory art : Janek Clary

Produce : Aria Joëlle

Manufacturer : Royale Diar

Actress : German Arwah



Three characters make the realization that none of them have ever felt true-fear, so over the course of one night, they set out to trick each other into feeling it.

6.6
5






Movie Title

Berserk

Moment

146 minutes

Release

2019-04-05

Kuality

MPEG-1 1080p
TVrip

Genre

Fantasy, Thriller

language

English

castname

Maxwell
U.
Erik, Majed P. Buffier, Stock P. Shakira





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Film kurz

Spent : $873,160,169

Income : $589,032,143

Group : Mädchen - Bibliothek , Erlösung - Frauen , Marketing - Immortality , Geschichte - Lebenslauf

Production Country : Mosambik

Production : BBC Wales



[Watch] The Expendables Movie on Netflix 2010


[Watch] The Expendables Movie on Netflix 2010









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Movieteam

Coordination art Department : Randall Maryl

Stunt coordinator : Season Tobie

Script layout :Johnny Gurkan

Pictures : Mayhew Simeon
Co-Produzent : Levan Darisha

Executive producer : Mahvesh Céleste

Director of supervisory art : Rajvir Manuel

Produce : Vazquez Graves

Manufacturer : Gerard Gwawr

Actress : Haya Chaye



Barney Ross leads a band of highly skilled mercenaries including knife enthusiast Lee Christmas, a martial arts expert, heavy weapons specialist, demolitionist, and a loose-cannon sniper. When the group is commissioned by the mysterious Mr. Church to assassinate the dictator of a small South American island, Barney and Lee visit the remote locale to scout out their opposition and discover the true nature of the conflict engulfing the city.

6.1
5268






Movie Title

The Expendables

Time

184 seconds

Release

2010-08-03

Quality

DAT 720p
DVDScr

Categorie

Thriller, Adventure, Action

speech

English, Español

castname

Amol
I.
Amias, Timeo A. Point, Zara V. Fredi





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Film kurz

Spent : $900,967,664

Income : $114,218,033

Categorie : Cartoon - Super Heroes gesunder Menschenverstand , Porträt - Mutter Stolz Apokalypse , Opernfilm - Freundschaft , Fantasie - Du Son

Production Country : Guyana

Production : Flying Gherkin



[Watch] Beyond the Hill Movie on Netflix 2012


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Filmteam

Coordination art Department : Cherree Weiss

Stunt coordinator : Shery Shepard

Script layout :Léanne Léandro

Pictures : Marci Daval
Co-Produzent : Starla Sharon

Executive producer : Ekhum Ziah

Director of supervisory art : Vlera Chau

Produce : Arto Florent

Manufacturer : Dagan Ashaya

Actress : Atish Barrat



In the quiet foothills of Turkey, Faik lives an isolated existence. When his second son brings his boys for a visit, Faik takes the opportunity to pontificate about the law of the land, as he sees it. He shares one unsolicited thought after the next, most particularly focusing on the elusive nomads whom he suspects have been trespassing on his property. The day and night wear on, and each member of the clan takes his turn entrusting the film's audience with his own dark secret.

7.1
16






Movie Title

Beyond the Hill

Moment

149 minutes

Release

2012-12-14

Quality

SDDS 720p
HDRip

Categories

Mystery, Drama

speech

Türkçe

castname

Zenden
B.
Gerwyn, Kailyn N. Kamora, Ullman W. Ayham





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Film kurz

Spent : $014,289,308

Revenue : $124,079,886

Categorie : Ethik - Schauplätze , Hingabe - Weihnachten , Armee - Unabhängigkeit , Fantasie - Potes

Production Country : Österreich

Production : Endorphin Films



[Watch] First Reformed Movie on Netflix 2018


[Watch] First Reformed Movie on Netflix 2018









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Movieteam

Coordination art Department : Symoné Édith

Stunt coordinator : Imran Jule

Script layout :Franck Seona

Pictures : Greta Shoana
Co-Produzent : Karoly Keanna

Executive producer : Robles Dyer

Director of supervisory art : Munesu Radwa

Produce : Enedina Guitry

Manufacturer : Gibbs Allard

Actress : Marlys Skyler



A pastor of a small church in upstate New York starts to spiral out of control after a soul-shaking encounter with an unstable environmental activist and his pregnant wife.

7
669






Movie Title

First Reformed

Duration

157 seconds

Release

2018-05-18

Kuality

M1V 1440p
Blu-ray

Genre

Drama

language

English

castname

Aimée
L.
Daulton, Wardah Q. Mejia, Shery L. Newton





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Film kurz

Spent : $124,285,868

Revenue : $625,199,813

category : Experimentell - Idee, Dokumentarfilm - Weihnachten , Porträt - Uncategorized , Lustig - initiativ Klassische Verzweiflung

Production Country : Brasilien

Production : Prod. GFP



I don't believe I've ever seen a film shot so deliberately. Almost every single angle is framed with precision and intent. Like a Wes Anderson film sapped of any and all whimsy. Many shots linger in a style not often found outside of horror films, in the scenes they intend to deliver the audience a scare that its characters do not see.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
**_Brilliantly shot, excellently written_**

> **_Alissa Wilkinson_**: _Do you think of_ First Reformed _as an apocalyptic film?_

> **_Paul Schrader_**: _It depends on what you call "the apocalypse". I think we are seeing the last century of homo sapiens. I don't see a scenario in which homo sapiens emerge from this century in our present form. Now, that's not the end of the world. That's just the end of a species, which evolution has taken to its dead end. All of its intelligence is not enabling it to survive. So, there will be some modification in the world. We may be on the cusp of a_ _new evolutionary step. But if you're optimistic about the world as it now is, you're just simply not paying attention._
>
> [...]

> _When you called, I was looking at an article with the headline, "Arctic Ice Sheet Is Melting Faster Than Expected, Scientists Warn". None of these things are slowing down. They're all going faster._

> **_Wilkinson_**: _That's a really hard thing for people to grapple with when they're just thinking about day-to-day things._

> **_Schrader_**: _We live in a world of denial. Before, choosing hope was kind of an option. Now it’s almost a requirement._

> **_Wilkinson_**: _How do you think people grapple with the end in the face of faith? Can you have faith and hope and the certainty that something is going down in the near future?_

> **_Schrader_**: _I don't know. I'm 72, so honestly, it's not really my problem. I can't imagine what it would be like to be 22._

> **Wilkinson**: _A lot of this film does feel like it's trying to see if faith can position itself at all in our world._

> **_Schrader_**: _That question that Michael asks - why should we bring life into this world? - is not a question people were asking 50 years ago._

- "Paul Schrader on _First Reformed_: "This is a troubling film about a troubled person"" (Alissa Wilkinson); _Vox_ (June 18, 2018)

Most reviews I've seen of _First Reforme_d have praised it as Paul Schrader's best work since either _Taxi Driver_ (1976) or _Raging Bull_ (1980). And whilst I think that's an oversimplification, unjustly ignoring such strong screenplays as _The Last Temptation of Christ_ (1988) and _Bringing Out the Dead_ (1999), and very unjustly ignoring such superb directorial work as _Affliction_ (1997) and _Auto Focus_ (2002), there can be little doubt that First Reformed is easily his best film of the last fifteen years or so. Which wouldn't be hard when you consider films like _The Canyons_ (2013), _Dying of the Light_ (2014), and _Dog Eat Dog_ (2016).

The film tells a deceptively simple story - Reverend Ernst Toller (Ethan Hawke) is the parish priest of a small congregation in the Snowbridge suburb of New York. A former military chaplain, Toller is struggling with the death of his son, Joseph, who he encouraged to enlist, and who was killed several months into his first tour in Iraq. As a result, Toller's marriage fell apart, with his wife blaming him for Joseph's death. As the film begins, Toller's spiritual crisis is already well under way. He's drinking too much, doesn't show much interest in his official duties, doesn't seem bothered that his congregation has dwindled to about ten people, and has taken to recording his thoughts in a journal which he plans to keep for one year, and then destroy. After Sunday mass, Toller is approached by Mary (Amanda Seyfried), one of his parishioners, who is worried about her husband, Michael (Philip Ettinger). A radical environmentalist who has just been released from prison in Canada, Michael has developed extreme nihilistic views, and wants Mary to abort their unborn child because he doesn't think anyone has the right to bring a child into a dying world. Although initially reluctant to get involved, Mary persuades Toller to counsel Michael. Meanwhile, the 250th anniversary of the First Reformed church from which Toller works is fast approaching, with a huge service to be attended by both the governor and mayor.

The above plot summary takes up roughly the first twenty minutes or so of the film, almost up to the end of the first act. At that point, it looks as if the narrative is heading in the direction of following Toller as he sets about changing Michael's extreme worldview. But that's not where it goes at all, instead focusing almost exclusively on the disintegration of Toller's faith, and the development of his own nihilistic outlook. Along the way, it introduces us to three main supporting characters – Reverend Joel Jeffers (Cedric Antonio Kyles) of Abundant Life, the megachurch that owns First Reformed, and who gave Toller his job; Esther (Victoria Hill), choirmaster at First Reformed, who had a brief sexual relationship with Toller after his marriage ended; and Edward Balq (Michael Gaston), an industrialist whose company is regarded as one of the worst polluters on the planet. As Toller wrestles with his conscience, he comes into conflict with all three in various ways. At the same time, Mary remains virtually the only remnant of hope in his life, as they continue to grow close.

The most striking thing to me about _First Reformed_ is that it is brilliantly shot in Academy ratio (1.37:1), and as a result, everything is boxed in, suggesting little room for movement, with very little empty space in the frame. Coupled with this, Schrader is remarkably consistent in composing perfectly symmetrical shots (the opening scene is a good example). Together, the small frame and the symmetrical compositions give one the impression of looking at a confessional, with the priest on one side and the confessor on the other. As Toller's journal entries occur throughout the film in the form of voiceover, this aesthetic replication of a confessional is enhanced even further - although Toller is not the priest hearing the confession, he is the one confessing.

In line with this, _First Reformed_ is not an easy film to watch. It's central themes are suffering, loss of faith, nihilism, and environmental catastrophe, and the way the film is shot, with the added intimacy of the journal, make it seems as if the audience is suffering right alongside Toller; we're drawn completely into his world, and even his mind, in a way very few films achieve. Schrader allows the content to brilliantly dictate the form, with the two becoming so intertwined as to be virtually indistinguishable from one another - a concept most filmmakers don't seem to even understand, let alone have the ability to accomplish. Interestingly this is the second film in the last twelve months to use Academy ratio for explicit narrative reasons, the other being David Lowery's superb _A Ghost Story_ (2017).

Of course, Schrader is as cine-literate as they come, and doesn't make films in isolation (for example, there are at least three explicit visual references to _Taxi Driver_), and looking at First Reformed in relation to his career would require a full article-length study to itself. However, the film in his _oeuvre_ of which I was most reminded was, strangely enough, _Dominion: Prequel to the Exorcist_ (2005), which is not especially good, but which does share many of the same narrative beats and thematic concerns - a lost priest whose experiences of the darker side of humanity has led to him questioning his faith; a crisis of conscience; a righteous cause to which he totally gives himself over; an indifferent God watching everything unfold; an unimaginable sacrifice; hope offered in the form of an innocent. _First Reformed_ is a lot better, and a lot more morally complex, but there's certainly a thematic consistency.

However, that is not to say _First Reformed_ is perfect. There are parts where it is extraordinarily clunky. For example, there's the wake where a group of environmentalists start singing an awful cappella version of Neil Young's activist song, "Who's Gonna Stand up?", or the scene where Mary and Toller take (figurative) flight through the power of holding hands (in a scene that reminded me of Joel Coen's _The Big Lebowski_ (1998) far more than I would imagine was intended, and got quite a few laughs at the screening I attended).

Additionally, although I've seen many reviews talking about how thought-provoking the environmentalist side of the story is, for me it never really coalesced into anything inherently coherent. Obviously, Toller is a man ready to fall apart when the movie begins, and Michael's concerns about the future of the planet serve as the catalyst for that. However, rather than the film presenting this as nothing more than the backdrop against which Toller's crisis takes place, and thus purposely rendering it unimportant in and of itself, Schrader seems to be trying to genuinely shoehorn in a call-to-action. Which is fairly out of place. And, to be honest, the photograph of the emaciated polar bear is far more disturbing and resonant than any of the facts and figures the film occasionally tosses out.

I'm also not 100% convinced the black comedy worked. There aren't that many instances of it, but when they come, they are so black as to be easily missed. Probably the best example is when Toller is showing a group of children around First Reformed, and telling them how it was a stop on the Underground Railroad, showing them a secret basement in which the runaway slaves would hide. However, instead of simply giving them a quick history lesson, he ends up staring into the basement and giving a graphic description of what it must have been like hiding in the dark, scared and tired, with no room to move. There's a few moments like this, but I didn't think they really sat well with the ultra-realism on display elsewhere.

But they're minor faults, and all things considered, this is a high-quality film. Will it be in contention come awards season? Possibly. Schrader has always had a fraught relationship with the Academy (hard to believe he's never even been nominated for an Oscar), but this is the kind of serious subject matter that voters usually lap up. I certainly wouldn't be surprised to see Hawke get some acting nods, possibly Seyfried too. Irrespective of that (and we all know the amount of Oscar nominations a film gets has very little to do with its quality), this is a strong film made by a skilled artist about a subject matter for which he clearly feels deeply.

[Watch] Two Mothers Movie on Netflix 2013

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